But in this latest interpretation, directed by Declan Donnellan and designed by Nick Ormerod, they have a common emotional age of approximately That includes their hearts. Set in what appears to be the aristocratic echelons of Edwardian England, Mr.
Why are you fixated on the use of pronouns? Please do yourself a favor and consider the broader audience like queer and trans people coming to see this production. It's not my job to consider the production's broader audience or its intentions; I am responding to the production that Villanova put on stage, which I don't think is as accessible as it might be.
Author's Response I live in a world in which fashion, hair, and makeup are billion-dollar industries devoted to beautifying women through socially accepted ideas that usually don't include glasses, conservative dresses, and flats. Sometimes women present themselves in ways that they, and society, think are attractive to potential romantic partners.
This isn't outdated, and if it's gross, well, that's the world we live in — I didn't make it so. I could have elaborated more on the idea of "romantic leads," but I assumed that most people living in our world would know that those leads tend to be young, tall, slim, and stylish.
Emilie Krause of Philadelphia, PA on April 20, I've known Mark Cofta for many years and consider him a friend, and I'm a female person who had the pleasure of performing a traditionally male Shakespeare role a couple of summers ago, which Mark reviewed.
I feel pretty strongly that women playing men's roles is a step forward for women. Shakespeare's plays continue to be a major part of our canon, his roles are damn juicy, and unless shifts are consistently made, certain people will be shut out of playing them.
When he was writing years ago, people spoke with a drastically different language, were scared of bathing, and the only people who played any of the parts were men. Seeing a woman play Desdemona and a person with brown skin play Othello? When we perform Shakespeare today, it is many many many steps removed from its original context.
We change the shows to suit our time To me, gender is a confusing place to draw the line. Originally, when people viewed these plays, they expected to see people play against their genitalia. In Lear, the role of Cordelia and the Fool were potentially played by the same person, and as we all know the delight was to watch the actor play Rosalind playing Ganymede.
Why now, after we've broken all of the rules, is gender a fixation? I look forward to the day when blurring the lines of expectation is impossible, because we have expanded our imaginations beyond the bounds of "culture" and "society. By William Shakespeare, James Ijames directed.
Villanova University Department of Theatre. He has also written for American Theatre magazine, Backstage: Member, American Theatre Critics Association. Past Barrymore Awards Judge for many seasons.
Also of Interest Overbooked for the holidays November 27, From concerts to community events, the holidays in the Philadelphia area can delight and deplete. Sign up for our newsletter.Jun 06, · Guten Morgen, Leute! It’s no secret that I’m not a big fan of Shakespeare and yet, his MUCH ADO ABOUT NOTHING is one of my favorite things ever.
Much Ado About Nothing is a black and white American romantic comedy film adapted for the screen, produced, and directed by Joss Whedon, from William Shakespeare's play of the same name. The film stars Amy Acker, Alexis Denisof, Nathan Fillion, Clark Gregg, Reed Diamond, Fran Kranz, Sean Maher, and Jillian Morgese.
Find helpful customer reviews and review ratings for Much Ado About Nothing (Shakespeare's Globe Theatre) Much Ado About Nothing (Shakespeare's Globe Theatre) and we compared snippets from this play and a movie version.
Most of my students said . May 26, · Watch video · Much Ado About Nothing From the beginning to the end, I was comfortable with this movie. The script mixed with the directing and the terrific acting created a glad feeling over this movie. The script mixed with the directing and the /10(41K).
Much Ado About Nothing is a majestic slice of cinematic joy which solidifies Branagh's reputation is a Shakespearean par excellence. While it is slightly too long and a trifle silly in places, its few off-kilter moments are more than counteracted by the beautiful visuals, inspired casting and the sheer level of enjoyment which is generated%.
"Much Ado About Nothing boasts one of Shakespeare's most delightful heroines, most dancing wordplay, and the endearing spectacle of intellectual and social self .