I shall be, perhaps, more lucid if I give, briefly, the history of the vorticist art with which I am most intimately connected, that is to say, vorticist poetry. Imagisme, in so far as it has been known at all, has been known chiefly as a stylistic movement, as a movement of criticism rather than of creation.
Copyright by James Pritchett. Originally we had in mind what you might call an imaginary beauty, a process of basic emptiness with just a few things arising in it.
And then when we actually set to work, a kind of avalanche came about which corresponded not at all with that beauty which had seemed to appear to us as an objective. Where do we go then?
Well what we do is go straight on; that way lies, no doubt, a revelation. I had no idea this was going to happen. I did have an idea something else would happen. Ideas are one thing and what happens another. And what are we doing? It was an unusual idea for a museum show, since the whole purpose for visiting one is to witness things of beauty or interest.
People do not go to a museum to look at blank walls, to walk through empty galleries. Without any context, visitors would have been quite baffled by this, perhaps thinking that they had taken a wrong turn, that someone made a mistake, or for those who like adventure that a daring theft had taken place.
But these visitors would have known that this is an exhibition about John Cage, and hence the empty room would make sense.
It is not surprising that this piece would attract the kind of attention that it has. To begin with, it is a compelling dramatic gesture. At its first performance, virtuoso pianist David Tudor sat at the piano, opened the keyboard lid, and sat silently for thirty seconds.
He then closed the lid. He reopened it, and then sat silently again for a full two minutes and twenty-three seconds.
He then closed and reopened the lid one more time, sitting silently this time for one minute and forty seconds. He then closed the lid and walked off stage. With the right kind of performer, such an event can be riveting, and Tudor was absolutely the right kind of performer, possessing an understated mastery of the instrument and a seriousness of purpose that was palpable to everyone in attendance.
Part of what makes the drama so compelling is the utter simplicity of the concept. The composer creates nothing at all.
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The performer goes on stage and does nothing. The audience witnesses this very basic act, the act of sitting still and being quiet. All this takes place in a Western concert hall setting, lending a historical and artistic gravity to the proceedings that begs us to put this act into some kind of weighty context, fraught with importance.
The piece can be difficult for audiences just as the empty room in the exhibition might have been. Sitting quietly for any length of time is not something to which people are accustomed in Western culture in general, much less in a concert hall setting.
That tensions will arise, with controversy and notoriety following, is only natural. Confronted with the silence, in a setting we cannot control, and where we do not expect this kind of event, we might have any of a number of responses: What did Cage mean when he made this piece?
How are we supposed to take this music? Noise — For someone traveling through the early parts of this exhibition, or for someone otherwise familiar only with the early works of John Cage, the appearance of the silent piece may be puzzling.
Indeed, Cage in his early days as a composer promoted the antithesis of silence: Wherever we are, what we hear is mostly noise. When we ignore it, it disturbs us. When we listen to it, we find it fascinating.Why “Into the Woods” Matters range of emotions about the new movie “Into the Woods,” based on the Stephen Sondheim-James Lapine musical of the same name.
The emotions include anxiety. First published to critical acclaim by Houghton Mifflin, Tim O’Brien’s celebrated classic In the Lake of the Woods now returns to the house in a gorgeous new Mariner paperback edition. Isolation in Winesburg Ohio and Death in The Woods Essay I really liked this musical "Into The Woods." I would go and see it again.
It's cute, funny, entertaining, and it's great to watch. I'm glad that I chose this musical for my Music Appreciation class report. Into the Woods, a musical by Stephen Sondheim, is based on four familiar fairy tales: Cinderella, Rapunzel, Jack and the Beanstalk, and Little Red Ridinghood.
In the show, Sondheim develops several themes and characters through . How to Write a Winning Ivy League Essay. With early application deadlines upon us, guidance counselors, professors, and admissions consultants slipped Kathleen Kingsbury seven essays that . Help support the MIMForum by supporting our sponsors: Stewart-MacDonald Guitar Shop Supply, wood, kits, and supplies for building fretted and bowed instruments.; Alaska Specialty Woods, soundboard woods for acoustic instruments.; The MIMForum Bookstore, books on musical instrument construction, general woodworking, and acoustical physics.; Order your woodworking tools and supplies from the.