How can we read the imperial language being imposed with the annexation of Crimea inthe ongoing warfare on Ukrainian territories, and the attacks in Syria in ?
What is the post-Soviet? All of these places share a 20th-century history of socialist government. Whether this began in orand whether it is viewed now as something to celebrate or something to mourn, this has to be our starting point.
Even individual national cultures contain multitudes too often ignored. How many know about the multi-ethnic hybrid threads of Uzbek-Korean designer J. Kim, or the Islamic craft-inspired Asiya Bareeva? Or the breakout work of the twenty-something director Kantemir Balagov, who wowed Cannes last year with Closenesshis dissection of religious tensions in the North Caucasian republic of Kabardino-Balkiria?
Is it a strictly defined political identity? Is it synonymous with lost glories, or with national tragedy? And this frustration grows with time as 29 independent states get on with the painful business of nation-building.
Georgia had a rich filmmaking tradition and an established industry that was laid low by the civil war that followed independence from the Soviet Union; its directors found their collective voice again precisely by articulating the violence and disorder of the period.
The loss of so many young men in the war has subsequently contributed towards an even Newer New Wave — a raft of films by or about women forced to step into the roles vacated by absent fathers and sons.
Romania, on the other hand, had comparatively little in the way of domestic filmmaking tradition, but has since managed to create a space for itself on the global market with its patented brand of low-budget, naturalist dramas that delve into the social dislocations created by the disasters of the late Ceausescu regime and the hardships of the 90s; a cottage industry that has garnered international acclaim for the likes of Cristian Mungiu and Corneliu Porumboiu.
And if this ideological dimension is something which is often elided in conversations about post-Soviet culture in the West, then that is because to acknowledge the role played here by the fall of socialism is to shine perhaps too bright a light on the role of the West in creating and curating a post-Soviet aesthetic.
What happened to the USSR is generally understood as an ideological collapse: Post-Soviet culture reflects the postmodern condition of a world where the need for all-encompassing ideology has been superceded. Except, as Kobrin notes, this is a misunderstanding.
The violence that broke out across the post-socialist space in the 90s — from the Yugoslav wars to the Tajik civil war and the Nagorno-Karabakh conflict — speaks to this.
So, incidentally, does Air Force One By the time perestroika came around, there was little meat left on the bones of Soviet ideology anyway. No shame in that: But the question of aesthetics and ideology after the fact is still a crucial one, because it colours so much of our consumption of post-Soviet culture.
Are we really in a position to be ignoring these kinds of political lessons?
Eastern Europe and Eurasia have always been particularly useful sites of projection for the West: But the contradictions of post-war liberalism and the decay of Soviet socialism have both provoked revanchist and regressive forces.Post-Soviet culture is produced and consumed in the wake of a fearsome political shift, a restructuring of people’s understandings of the world; as Fedorova puts it, this is the culture of.
The Soviet and Post-Soviet Review is a peer-reviewed journal which focuses on the history of the Soviet Union and its successor states, including but not limited to the Russian Federation.
The journal welcomes original, scholarly submissions in the form of articles, essays, and book reviews relating to Soviet and post-Soviet history. Jul 20, · The Essay That Helped Bring Down the Soviet Union.
It championed an idea at grave risk today: that those of us lucky enough to live in open societies should fight for . The Soviet Union long considered Dr. Pipes to be persona non grata. Dr. Pipes spoke German and Polish and considered becoming a musicologist or art historian.
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View Essay - ART - Soviet and Post Soviet Art - Final Art Paper Final from ART at Chapman University. Hurst 1 Hillary Hurst Professor Salmond Soviet and . The term Soviet Nonconformist Art refers to Soviet art produced in the former Soviet Union from to which proposed creating a new form of icon painting through the study of religious art across the ages.
The essay, Soviet and Post-Soviet Sots Art and American Pop Art - Minnesota University Press,